[anvar]

Nino Rota (1911-1979)
Il cappello di paglia di Firenze

Théâtre La Monnaie Royal Opera Orchesta
Orchestre Symphonique de la Monnaie
Elio BoncompagniЖанр: Opera
Страна-производитель диска: Germany
Год издания диска: 1999
Издатель (лейбл): Gala
Номер по каталогу: GL 100.547
Дата записи: 1976
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 55'08 + 60'35
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:

Disc 1:
01. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Introduction 4:27
02. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Posso entrar? 1:28
03. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Distaccate il cavallo dall'attacco!
04. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Tra un'ora saro sposo 2:50
05. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Entri pure con coraggio! 3:31
06. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Tutto a monte! 3:30
07. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Elena! 2:59
08. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Ma che bella situazione... Signora, venga fuori... Tutto a monte! 5:45
09. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Svelto vola vola l'ago... Signora modista, ho fretta 4:43
10. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): O mia cara baronessa 3:47
11. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Permesso, signore?... Visconti, baronesse 1:59
12. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Caro signore, lei mi deve scusare 2:33
13. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Un garofano d'inverno? 2:47
14. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Maestro, il concerto se volete 3:22
15. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Tra cinque minuti me la svigno col capello 1:28
16. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): La baronessa!... Un cappello nero? 3:12
17. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Minardi! 1:14
Disc 2:
01. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): E una cosa incredibile 5:11
02. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Eccola finalmente! 3:06
03. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Chi mai ha avuto... Che cosa fa da la? 2:26
04. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Signora orsu - dovete entrar 4:39
05. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Mio suocero!... Eccolo. L'ho trovato finalmente! 2:58
06. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Aiuto, aiuto! 3:37
07. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Tutta Parigi noi giriam 2:09
08. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Ecco son la ventitre... S'avvicina il temporale 3:41
09. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Ah giornata tremenda infernale! 1:47
10. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Psst! Ohi tu, briccone! 1:28
11. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Papa, gli voglio bene 1:49
12. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Ah la milza! La milza!... Ecco i regali 2:40
13. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): E pazzo da legare 1:09
14. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Presto presto mia signora... Fermati, cocchiere! 3:23
15. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Qual rombazzo - infernale! 1:29
16. Rota: Il cappello di paglia di Firenze (The Florentine Straw Hat): Tutto a posto! 6:52

Исполнители:

Nino Rota (1911-1979)
Il cappello di paglia di Firenze
Fadinard, a young, would-be bridegroom - Edoardo Gimenez
Nonancourt, Fadinard's short-tempered father-in-law to be - Gianni Socci
Elena, Fadinard's bride-to-be - Marielle Devia
Anaide, a lady who takes off her hat at intimate moments - Dolores Crivellari
Emilio, Anaide's lover - Manuel Gonzales
Beaupertuis, Anaide's jealous, well-armed husband - Federico Davia
The Baroness of Champigny, a lady with very definite ideas about violinists - Magda Olivero
Uncle Vezet - Augusto Pedroni
The Milliner - Katerina Moesen
Corporal of the Guard/The Viscount of Rosalba - Harmut Schmieder
A Guard/Fadinard's servant - Jean-Jacques Schreurs
Théâtre La Monnaie Royal Opera Orchesta
Orchestre Symphonique de la Monnaie
Elio Boncompagni
Live performance at the Petite Salle in Brussels, March 6, 1976.
Sung in Italian

Лог создания рипа

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Доп. информация:
About the Opera:

"Il cappello di paglia di Firenze" (The Florentine Straw Hat) is based on a famous 1851 farce by Eugene Labiche and Marc Michel called "Un chapeau de paille d'Italie."
The great French film director Rene Clair used the story in 1927 for one of the best of the French silent film comedies "An Italian Straw Hat."
In 1944, Nino Rota and his mother Ernesta wrote the libretto for "il cappello."
Rota worked on the score for a year or more but put it aside unfinished, with no prospect of a performance.
In the mid-1950s, at the prompting of a friend who had heard parts of the score, Rota finished the piece and saw it premiered in Palermo in April 1955 with Jonel Perlea conducting.

About the composer:

Nino Rota (1911-1979) was a member of a musical family.
His mother was his first music teacher.
Toscanini was a family friend and advisor.
He was formally trained in both Italy and the United States.
In Philadelphia he took classes in the orchestra from Fritz Reiner.
Rota is, of course, best known for his film scores but he composed ten operas, five ballets and numerous orchestral pieces.

Synopsis:

"Il cappello" is a farce about misunderstandings.
Fadinard begins his wedding day by driving his carriage across Paris to check on the state of his new apartment.
While passing through a wooded area, his whip gets entangled.
He stops the carriage to retrieve the whip.
His horse uses the pause as an opportunity to snack on an attractive straw hat conveniently hanging from a tree.
Fadinard returns to be confronted by an indignant and very much married lady and her lover who is very much not her husband.
The lady had removed the hat during an intimate moment with her lover.
She cannot return to her suspicious husband without her hat.
Fadinard, she and her lover insist, must provide a replacement and they will not listen to any trifling quibbles from him about his forthcoming wedding.
Produce the hat, they say, or face a duel.
The plot is now wound up like a top and ready to go spinning away.
The wedding guests approach as Fadinard rushes off to find a replacement hat.
Along the way he blunders into many misunderstandings, including one in which he is taken to be a virtuoso violinist, all to the growing annoyance of his prospective father-in-law.

More information:

"Il cappello" is pretty much what one might expect from a mid-Twentieth Century Italian composer who was a close friend of Stravinsky but who did not buy into either the atonality of that century's music or its icy indifference to the human condition.
For a hint of the sound of the opera and the approach it takes, consider the first scene of Puccini's "La Boheme," before the entry of Mimi and the lush melodies she brings in her wake. Extend that over the whole length of the opera and you have something very like "Il cappello."
Although she is in a supporting role, the star of this performance is the great Magda Olivero, still in first youth at a mere 64 years of age.
That lady was, and is, everything that an opera star ought to be.
The very fine Marielle Devia, impresses as always, even in the too-small part of Elena.
Edoardo Gimenez was, I think, one of those performers who is a delight to see, but one, alas, not blessed with a beautiful voice.
On CD, he offers a workmanlike job.
The rest of the cast is competent.
The conducting and orchestra seem perfectly satisfactory in this not very heavily orchestrated work.