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Giordano - Madame Sans-Gene (Laszlo, Tagliabue, Montereale, Viaro, Perucci, Berti - Basile 1957)
Жанр: Opera
Страна-производитель диска: Italy
Год издания диска: 2007
Издатель (лейбл): GOP
Номер по каталогу: GOP 66.375
Датазаписи: 1957
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 59'33 + 49'22
Источник: собственный рип
Наличие сканов в содержимом раздачи: да

01 Act 1. Son in via della Scala! Li sentite?
02 Act 1. Viva la Nazione!... Dite, su, cosa c'è?
03 Act 1. Mia bella Caterina!... Voi siete ancora qui?
04 Act 1. Ministro voi sarete, quand'io sarò duchessa!
05 Act 1. Ohè, dico... Per pietà!... Son ferito!
06 Act 1. La signorina Caterina Hubscher, alsazianetta giuliva
07 Act 1. Penso a quel cane che abbiam ferito ed è fuggito!
08 Act 1. Compagni, sono il vostro sergente!
09 Act 1. Perché hai chiusa la porta?
10 Act 2. La Duchesa di Danzica?
11 Act 2. Bondì, signor Despréaux!
12 Act 2. Ehi, dico, sei giunto al polpaccio!
13 Act 2. Hai due spanne di muso
14 Act 2. Gli avrei detto: 'tenetevele!'
15 Act 2. Questa tua bocca profumata e pura
16 Act 2. Tristi gli addii quando la giovinezza

01 Act 2. Buon viaggio, signor Conte
02 Act 2. Una notizia! Una notizia! ch'è una primizia!
03 Act 2. La Duchessa di Danzica non vedo!
04 Act 2. Ed ho il gergo del popolo e del popolo ho il gesto
05 Act 2. Sì, dormii tra i soldati, più di voi rispettosi
06 Act 3. Ora il vostro rapporto, capitano
07 Act 3. Signora, voi coprite il ridicolo
08 Act 3. Con Febvre. Armata dei Vosgi
09 Act 3. Quella buona figliuola!
10 Act 3. Accidenti, se questo tenentin mi domanda qualche cosa.
11 Act 3. E silenzio! Roustan!
12 Act 3. Febvre, Febvre, mio Febvre!
13 Act 3. Ancora qui! Meglio così!

:
Umberto Giordano - Madame Sans-Gêne
Magda László (Soprano)
Renato Berti (Tenor)
Danilo Vega (Tenor),
Carlo Tagliabue (Baritone)
Irene Callaway (Soprano)
Arrigo Cattelani (Bass),
Maria Luisa Malacchi (Soprano)
Maria Montereale (Voice
Enzo Viaro (Baritone)
Carlo Perucci (Tenor),
Italian Radio Chorus
Italian Radio Symphony Orchestra
Arturo Basile
Written: 1914; Italy

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 29. May 2013, 15:48
Giordano / Madame Sans Gêne, Basile 1957 CD1
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Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 29. May 2013, 15:29
Giordano / Madame Sans Gêne, Basile 1957 CD2
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Read mode : Secure
Utilize accurate stream : Yes
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Make use of C2 pointers : No
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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Monkey's Audio Lossless Encoder
Selected bitrate : Fast Lossless Compression
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\Monkeys Audio\MAC.exe
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Код:

REM GENRE Opera
REM DATE 1957
REM DISCID BD0DF510
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Giordano"
TITLE "Madame Sans Gêne, Basile 1957 CD1"
FILE "Giordano - Madame Sans Gêne, Basile 1957 CD1.ape" WAVE
TRACK 01 AUDIO
TITLE "Act 1. Son in via della Scala! Li sentite?"
PERFORMER "Giordano"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Act 1. Viva la Nazione!... Dite, su, cosa c'è?"
PERFORMER "Giordano"
INDEX 01 05:40:50
TRACK 03 AUDIO
TITLE "Act 1. Mia bella Caterina!... Voi siete ancora qui? "
PERFORMER "Giordano"
INDEX 01 07:40:31
TRACK 04 AUDIO
TITLE "Act 1. Ministro voi sarete, quand'io sarò duchessa! "
PERFORMER "Giordano"
INDEX 01 10:48:20
TRACK 05 AUDIO
TITLE "Act 1. Ohè, dico... Per pietà!... Son ferito!"
PERFORMER "Giordano"
INDEX 01 14:59:50
TRACK 06 AUDIO
TITLE "Act 1. La signorina Caterina Hubscher, alsazianetta giuliva"
PERFORMER "Giordano"
INDEX 01 16:41:08
TRACK 07 AUDIO
TITLE "Act 1. Penso a quel cane che abbiam ferito ed è fuggito!"
PERFORMER "Giordano"
INDEX 01 19:33:14
TRACK 08 AUDIO
TITLE "Act 1. Compagni, sono il vostro sergente! "
PERFORMER "Giordano"
INDEX 01 22:26:41
TRACK 09 AUDIO
TITLE "Act 1. Perché hai chiusa la porta? "
PERFORMER "Giordano"
INDEX 01 26:05:00
TRACK 10 AUDIO
TITLE "Act 2. La Duchesa di Danzica? "
PERFORMER "Giordano"
INDEX 01 29:40:30
TRACK 11 AUDIO
TITLE "Act 2. Bondì, signor Despréaux!"
PERFORMER "Giordano"
INDEX 01 33:49:48
TRACK 12 AUDIO
TITLE "Act 2. Ehi, dico, sei giunto al polpaccio! "
PERFORMER "Giordano"
INDEX 01 37:08:20
TRACK 13 AUDIO
TITLE "Act 2. Hai due spanne di muso "
PERFORMER "Giordano"
INDEX 01 43:58:09
TRACK 14 AUDIO
TITLE "Act 2. Gli avrei detto: 'tenetevele!'"
PERFORMER "Giordano"
INDEX 01 46:41:27
TRACK 15 AUDIO
TITLE "Act 2. Questa tua bocca profumata e pura "
PERFORMER "Giordano"
INDEX 01 51:15:28
TRACK 16 AUDIO
TITLE "Act 2. Tristi gli addii quando la giovinezza"
PERFORMER "Giordano"
INDEX 01 55:47:36

Exact Audio Copy V1.0 beta 3 from 29. August 2011
REM GENRE Opera
REM DATE 1957
REM DISCID A80B920D
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Giordano"
TITLE "Madame Sans Gêne, Basile 1957 CD2"
FILE "Giordano - Madame Sans Gêne, Basile 1957 CD2.ape" WAVE
TRACK 01 AUDIO
TITLE "Act 2. Buon viaggio, signor Conte"
PERFORMER "Giordano"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Act 2. Una notizia! Una notizia! ch'è una primizia!"
PERFORMER "Giordano"
INDEX 01 02:09:37
TRACK 03 AUDIO
TITLE "Act 2. La Duchessa di Danzica non vedo!"
PERFORMER "Giordano"
INDEX 01 04:30:08
TRACK 04 AUDIO
TITLE "Act 2. Ed ho il gergo del popolo e del popolo ho il gesto"
PERFORMER "Giordano"
INDEX 01 07:55:19
TRACK 05 AUDIO
TITLE "Act 2. Sì, dormii tra i soldati, più di voi rispettosi"
PERFORMER "Giordano"
INDEX 01 10:38:14
TRACK 06 AUDIO
TITLE "Act 3. Ora il vostro rapporto, capitano"
PERFORMER "Giordano"
INDEX 01 14:50:52
TRACK 07 AUDIO
TITLE "Act 3. Signora, voi coprite il ridicolo"
PERFORMER "Giordano"
INDEX 01 20:13:12
TRACK 08 AUDIO
TITLE "Act 3. Con Febvre. Armata dei Vosgi"
PERFORMER "Giordano"
INDEX 01 22:52:09
TRACK 09 AUDIO
TITLE "Act 3. Quella buona figliuola!"
PERFORMER "Giordano"
INDEX 01 26:04:70
TRACK 10 AUDIO
TITLE "Act 3. Accidenti, se questo tenentin mi domanda qualche cosa"
PERFORMER "Giordano"
INDEX 01 29:51:11
TRACK 11 AUDIO
TITLE "Act 3. E silenzio! Roustan!"
PERFORMER "Giordano"
INDEX 01 34:22:48
TRACK 12 AUDIO
TITLE "Act 3. Febvre, Febvre, mio Febvre!"
PERFORMER "Giordano"
INDEX 01 39:02:31
TRACK 13 AUDIO
TITLE "Act 3. Ancora qui! Meglio così!"
PERFORMER "Giordano"
INDEX 01 43:08:54

Madame Sans-Gêne is Umberto Giordano’s opera about a laundress who becomes a duchess whose manners are not much appreciated at the court of Napoleon I.
Once wildly popular, it quickly died during the 1920s, largely because it had been a starring role of soprano Geraldine Farrar who retired from the stage in 1922.
I still remember the photo of Farrar as Sans-Gêne in the Victor Book of the Opera, standing at an ironing board and grinning into the camera with a psychotic stare like a deer caught in the headlights.
Listening to this lively, well conducted, and mostly well-sung performance, the jury is still out.
As an auditory experience, Madame Sans-Gêne is not a masterpiece like his Andrea Chenier or another opera it resembles, Cilea’s Adriana Lecouvreur , but it’s by no means bad.
It’s just sort of there.
Overall, Giordano was a better composer than Ciléa, but Ciléa hit his stride with Adriana while for Giordano, Madame Sans-Gêne seems a well-crafted piece that just failed to gel.
But of course, here we can only listen to it.
We can’t see it, and therein sometimes lies the difference.
Without the visual element, it’s hard to say if it would work on a stage or not.
As in Andrea Chenier, we see the characters both pre- and post-Revolution, but since this is a comedy, no one is guillotined and everyone survives Robespierre’s bloodbath.
Indeed, they not only survive but thrive; Lefebvre becomes a marshal in Napoleon’s army and Fouché later becomes the emperor’s minister.
When Caterina marries Lefebvre and becomes a duchess, her low manners so offend the court that Napoleon himself summons her to try to teach her how to act.
But, it turns out, Madame Sans-Gêne remembers him too, as a poor young soldier she fed and clothed who didn’t pay her back.
Touched by her memories of him as a young starveling, Napoleon pardons her peasant temperament, listens to her when she describes Count Neipperg not as an adulterer but as a faithful spy, and everyone lives happily ever after.
Napoleon’s banishment to Corsica is far in the future as the opera ends with the emperor as a jolly old elf.
Magda László had a fine light lyric soprano voice, bright and silvery.
Tenor Danilo Vega also had a good voice, a little undistinguished perhaps, but certainly not bad.
Baritone Carlo Tagliabue, as Napoleon, does well for an older singer whose voice had deteriorated somewhat from his glory days of the 1930s and 1940s.
(The sonics are so good that you can hear him clearing his throat!)
The remaining singers are competent if not particularly memorable; one can say the same for the music.
Arturo Basile conducts a taut, well bound, very musical performance.
The RAI Milan orchestra plays surprisingly well for the time and place.
High marks must be given to GOP for the transfer; considering that this is broadcast sound, the miking is quite good.
I wonder if this was a concert performance for radio only; it sounds it to me.
The end of the second act and most of act III sound much more serious and less comical in tone.
The music is archetypal verismo : pleasantly tuneful (but not treacly), harmonically tonal, and conventional.
One of the most impressive passages in the whole score is the orchestral prelude to the third act, which builds from soft cello and woodwind murmurs to dramatic climaxes.
I’ll put it to you this way, it’s a much better opera, overall, than Ciléa’s L’arlesiana or Leoncavallo’s Zaza, both of which are (for reasons unknown to me) revived nowadays.
There is only one other recording of this opera available, another live performance (from 1967, in stereo) featuring soprano Orianna Santunione, tenor Franco Tagliavini, and baritone Renato Capecchi, conducted by Gianandrea Gavazzeni (Opera d’Oro 1415), but neither conductor Gavazzeni nor soprano Santunione is as fine as Basile or László.