[anvar]

Fraser-Simson - The Maid of the Mountains
Жанр: Operetta
Страна-производитель диска: England
Год издания диска: 2006
Издатель (лейбл): Helios
Номер по каталогу: CDH55246
Дата записи: 2000
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 79'48
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:
1. Act 1, Intro And Chor: Friends Have To Part
2. Act 1, Song: Live For Today
3. Act 1, Song: My Life Is Love
4. Act 1: Nocturne
5. Act 1, Song: Farewell
6. Act 1, Song: Dividing The Spoil
7. Act 1, Finale: Though Curs May Quail
8. Act 2, Intro And Chor: We're Gathered Here
9. Act 2, Song: Love Will Find A Way
10. Act 2, Chor: Save Us
11. Act 2, Duet: Dirty Work
12. Act 2, Duet: A Paradise For Two
13. Act 2, Duet: Husbands And Wives
14. Act 2, Song: A Bachelor Gay
15. Act 2, Song: I Understood
16. Act 2, Finale: So That's It
17. Act 3, Intro And Chor: When Each Day The Tides Are Ebbing And Flowing
18. Act 3: Good People, Gather Round
19. Act 3, Duet: When You're In Love
20. Act 3, Duet: Over Here And Over There
21. Act 3, Finale: When Each Day The Tides
Исполнители:
Harold Fraser-Simson (1872-1944) - The Maid of the Mountains (1916)
Teresa – Janis Kelly (soprano)
Beppo – Christopher Maltman (baritone)
Baldassare – Michael George (bass)
Tonio – Richard Suart (baritone)
Vittoria – Sally Burgess (mezzo-soprano)
General Malona – Donald Maxwell (bass)
New London Light Opera Chorus
New London Orchestra
Ronald Corp

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 12. April 2014, 13:27
Fraser-Simson / The Maid of the Mountains, Corp 2000
Used drive  : HL-DT-STDVDRAM GH22NS50   Adapter: 0  ID: 2
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : Monkey's Audio Lossless Encoder
Selected bitrate                : High Lossless Compression
Quality                         : High
Add ID3 tag                     : Yes
Command line compressor         : C:\Program Files (x86)\Monkey's Audio\MAC.exe
Additional command line options : %dest% -t "Artist=%artist%" -t "Title=%title%" -t "Album=%albumtitle%" -t "Year=%year%" -t "Track=%tracknr%" -t "Genre=%genre%" mac.exe %source% %dest% -c3000 -v
TOC of the extracted CD
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Range status and errors
Selected range
     Filename E:\Foobar-EAC\Fraser-Simson - The Maid of the Mountains, Corp 2000.wav
     Peak level 98.4 %
     Extraction speed 2.1 X
     Range quality 100.0 %
     Test CRC CE4C06D0
     Copy CRC CE4C06D0
     Copy OK
No errors occurred
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Код:

REM GENRE Operetta
REM DATE 2000
REM DISCID 3B12B115
REM COMMENT "ExactAudioCopy v1.0b3"
CATALOG 0034571152462
PERFORMER "Fraser-Simson"
TITLE "The Maid of the Mountains, Corp 2000"
FILE "Fraser-Simson - The Maid of the Mountains, Corp 2000.ape" WAVE
  TRACK 01 AUDIO
    TITLE "Introduction and Chorus 'Friends have to part'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019001
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Song 'Live for today'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019002
    INDEX 01 02:33:40
  TRACK 03 AUDIO
    TITLE "Song 'My life is love'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019003
    INDEX 01 04:24:28
  TRACK 04 AUDIO
    TITLE "Nocturne"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019004
    INDEX 01 08:24:46
  TRACK 05 AUDIO
    TITLE "Song 'Farewell'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019005
    INDEX 01 11:28:73
  TRACK 06 AUDIO
    TITLE "Song 'Dividing the spoil'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019006
    INDEX 01 14:48:34
  TRACK 07 AUDIO
    TITLE "Finale 'Though curs may quail'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019007
    INDEX 01 18:59:43
  TRACK 08 AUDIO
    TITLE "Introduction and Chorus 'We're gathered here'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019008
    INDEX 01 20:14:22
  TRACK 09 AUDIO
    TITLE "Song 'Love will find a way'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019009
    INDEX 01 25:18:43
  TRACK 10 AUDIO
    TITLE "Chorus 'Save us'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019010
    INDEX 01 29:34:01
  TRACK 11 AUDIO
    TITLE "Duet 'Dirty work'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019011
    INDEX 01 31:54:58
  TRACK 12 AUDIO
    TITLE "Duet 'A paradise for two'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019012
    INDEX 01 34:47:73
  TRACK 13 AUDIO
    TITLE "Duet 'Husbands and wives'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019013
    INDEX 01 39:25:10
  TRACK 14 AUDIO
    TITLE "Song 'A bachelor gay'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019014
    INDEX 01 43:08:07
  TRACK 15 AUDIO
    TITLE "Song 'I understood'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019015
    INDEX 01 47:59:34
  TRACK 16 AUDIO
    TITLE "Finale 'So that's it'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019016
    INDEX 01 52:11:70
  TRACK 17 AUDIO
    TITLE "Introduction and Chorus of Fisherfolk 'When each day the tides are ebbing and..."
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019017
    INDEX 01 62:55:13
  TRACK 18 AUDIO
    TITLE "'Good people, gather round'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019018
    INDEX 01 65:57:49
  TRACK 19 AUDIO
    TITLE "Duet 'When you're in love'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019019
    INDEX 01 68:40:67
  TRACK 20 AUDIO
    TITLE "Duet 'Over here and over there'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019020
    INDEX 01 72:03:63
  TRACK 21 AUDIO
    TITLE "Finale 'When each day the tides'"
    PERFORMER "Fraser-Simson"
    ISRC GBAJY0019021
    INDEX 00 74:17:54
    INDEX 01 76:27:73

The Maid of the Mountains was one of the two big hits on the London stage during the First World War, one that ran for 1,352 consecutive performances.
It’s not as well remembered as Chu Chin Chow but it brought almost as much cheer and enjoyment.
Its composer was from a moneyed family, London-born but Highlands-leaning. Harold Fraser Simson - the hyphen was a later affectation - began life in the City of London but his musical aspirations, strong though cautiously delayed, finally bore fruit in 1911 when a comic opera called Bonita hit the London boards.
Five years later he worked with lyricist Harry Graham on The Maid of the Mountains, a book by Frederick Lonsdale.
Its stage self comprised a comic mêlée of Governors, Generals, brigands, citizens and assorted dancing girls, just the thing for 1916.
Musically speaking Fraser-Simson owed a great debt to G&S, to Lehár in the waltz scene and in the more esoteric moments to the Coleridge-Taylor of Hiawatha and the lighter orchestral music.
There were some interpolations during the early stages. James W Tate, brother of Maggie Teyte, supplied three impressive numbers, My life is love, Love will find a way (maybe the best known song of all) and A paradise for two.
Tate happened to be the stepfather of one of the original stars of the production, José Collins. For those interested in esoterica one of Tate’s writing partners was Archibald Thomas Pechey who wrote under the august name "Valentine" and was the father of TV cook Fanny Craddock. Such are the ways of theatrical dynasties.
The musical play has its peculiarities in that Baldassare, its leading man, Michael George, sonorous and packed with personality as ever, recites rather than sings.
Its original performer was a leading figure of the time, and a suitable candidate for the non-singing actor, Arthur Wontner. Nevertheless there’s plenty of verve and variety to see one through, especially when the brigand Beppo holds the stage.
This was a role taken in the first production by Thorpe Bates, a singer of wide repute and one who made many 78 discs.
The maid is the Collins role.
These parts are here taken by Christopher Maltman and Janis Kelly.
They’re both full of personality and command, and Kelly is fearless when called upon.
Richard Corp leads an evocative performance using full orchestrations.
His direction is assured and knowing.
There are some opportunities for the solo violin in the Nocturne and for the principal cello in Dividing the Spoil in Act I. Strings are warm and sympathetic.
Maltman is especially fine in this number with its G&S resonance.
Though the three acts seem well proportioned the finale to Act I is very brief and perhaps a little unsatisfactory – it lasts barely a minute.
Donald Maxwell does a splendid turn as the General and the smaller parts are all excellently cast and well taken.
There are no weak links, no signs of slumming or archness.
Love will find a way does have a Lehár lilt and A Bachelor Gay has a rude music-hall vitality that momentarily takes us to from a musical play to the sing-along of the halls – infectious, actually.