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Jesús Guridi - Amaya
![]() Страна-производитель диска: Germany Год издания диска: 2000 Издатель (лейбл): Marco Polo Номер по каталогу: 8.225084-85 Дата записи: 1998 Аудиокодек: APE Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 78'06+58'38 Источник: собственный рип Наличие сканов в содержимом раздачи: да CD1 1. Acto I - Escena I 2. Acto I - Escena II 3. Acto I - Escena III 4. Acto I - Escena IV 5. Acto II - Escena I 6. Acto II - Escena II 7. Acto II - Escena III 8. Acto II - Escena IV 9. Acto II - Escena V 10. Acto II - Escena VI CD2 1. Acto III - Escena I 2. Acto III - Escena II 3. Acto III - Escena III 4. Epilogo 5. Epilogo - Escena I 6. Epilogo - Escena II Jesús Guridi - Amaya Lyric Drama in three acts and an epilogue Basque libretto by Fr. José de Arrué after the novel by Navarro Villoslada Amaya - Rebecca Copley, soprano Amagoia - Marianne Cornetti, mezzo-soprano Paula y Olalla - Itxaro Mentxaka, mezzo-soprano Teodosio - César Hernández, tenor Asier - Rosendo Flores, bass Miguel - Carlos Conde, baritone Morroia - Angel Pazos, tenor Agurea - Gorka Robles, tenor Bilbao Choral Society Gorka Sierra, Chorus Master Bilbao Symphony Orchestra, Theo Alcántara, Conductor Sung in Basque language Код: Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 26. December 2014, 15:24 Guridi / Amaya, Aleántara, CD1 Used drive : TSSTcorpCDDVDW SE-208AB Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : Monkey's Audio Lossless Encoder Selected bitrate : High Lossless Compression Quality : High Add ID3 tag : Yes Command line compressor : C:\Program Files (x86)\Exact Audio Copy\MAC\MAC.exe TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:54.32 | 0 | 22081 2 | 4:54.32 | 5:24.32 | 22082 | 46413 3 | 10:18.64 | 3:47.63 | 46414 | 63501 4 | 14:06.52 | 26:58.13 | 63502 | 184864 5 | 41:04.65 | 6:54.32 | 184865 | 215946 6 | 47:59.22 | 10:58.50 | 215947 | 265346 7 | 58:57.72 | 6:36.55 | 265347 | 295101 8 | 65:34.52 | 4:19.05 | 295102 | 314531 9 | 69:53.57 | 2:47.35 | 314532 | 327091 10 | 72:41.17 | 5:22.40 | 327092 | 351281 Range status and errors Selected range Filename D:\EAC\Guridi - Amaya, Aleántara, CD1.wav Peak level 100.0 % Extraction speed 2.2 X Range quality 100.0 % Test CRC 93DB3B3D Copy CRC 93DB3B3D Copy OK No errors occurred AccurateRip summary Track 1 not present in database Track 2 not present in database Track 3 not present in database Track 4 not present in database Track 5 not present in database Track 6 not present in database Track 7 not present in database Track 8 not present in database Track 9 not present in database Track 10 not present in database None of the tracks are present in the AccurateRip database End of status report ---- CUETools DB Plugin V2.1.3 [CTDB TOCID: .kwD7.bxiPfqU5zXvla4JiBN4aw-] disk not present in database, Submit result: .kwD7.bxiPfqU5zXvla4JiBN4aw- has been uploaded ==== Log checksum 5140F581F926AC3F77051ADBA199409CB0A75DF3A20AB8D010957671F7B34254 ==== Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 26. December 2014, 15:24 Guridi / Amaya, Aleántara, CD2 Used drive : TS8XDVDSTRANSCEND Adapter: 1 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : Monkey's Audio Lossless Encoder Selected bitrate : High Lossless Compression Quality : High Add ID3 tag : Yes Command line compressor : C:\Program Files (x86)\Exact Audio Copy\MAC\MAC.exe TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 8:36.35 | 0 | 38734 2 | 8:36.35 | 12:37.07 | 38735 | 95516 3 | 21:13.42 | 4:17.08 | 95517 | 114799 4 | 25:30.50 | 5:13.60 | 114800 | 138334 5 | 30:44.35 | 9:28.37 | 138335 | 180971 6 | 40:12.72 | 18:23.00 | 180972 | 263696 Range status and errors Selected range Filename D:\EAC\Guridi - Amaya, Aleántara, CD2.wav Peak level 98.5 % Extraction speed 1.9 X Range quality 100.0 % Test CRC 6A7C7E99 Copy CRC 6A7C7E99 Copy OK No errors occurred AccurateRip summary Track 1 not present in database Track 2 not present in database Track 3 not present in database Track 4 not present in database Track 5 not present in database Track 6 not present in database None of the tracks are present in the AccurateRip database End of status report ---- CUETools DB Plugin V2.1.3 [CTDB TOCID: yAAiHTP5.CKHZZYgBgitfjCpBH8-] disk not present in database, Submit result: unrecognized or virtual drive ==== Log checksum 401F4371C599CF97550B46406E258916F5DEDF418733E10FF582BB97122F27DF ==== Код: REM GENRE Opera REM DATE 1998 REM DISCID A0124B0A REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Guridi" TITLE "Amaya, Aleántara, CD1" FILE "Guridi - Amaya, Aleántara, CD1.ape" WAVE TRACK 01 AUDIO TITLE "Act 1 - Scene 1" PERFORMER "Guridi" ISRC HKI199814201 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Act 1 - Scene 2" PERFORMER "Guridi" ISRC HKI199814202 INDEX 01 04:54:32 TRACK 03 AUDIO TITLE "Act 1 - Scene 3" PERFORMER "Guridi" ISRC HKI199814203 INDEX 01 10:18:64 TRACK 04 AUDIO TITLE "Act 1 - Scene 4" PERFORMER "Guridi" ISRC HKI199814204 INDEX 01 14:06:52 TRACK 05 AUDIO TITLE "Act 2 - Scene 1" PERFORMER "Guridi" ISRC HKI199814205 INDEX 00 40:54:67 INDEX 01 41:04:65 TRACK 06 AUDIO TITLE "Act 2 - Scene 2" PERFORMER "Guridi" ISRC HKI199814206 INDEX 01 47:59:22 TRACK 07 AUDIO TITLE "Act 2 - Scene 3" PERFORMER "Guridi" ISRC HKI199814207 INDEX 01 58:57:72 TRACK 08 AUDIO TITLE "Act 2 - Scene 4" PERFORMER "Guridi" ISRC HKI199814208 INDEX 00 65:33:05 INDEX 01 65:34:52 TRACK 09 AUDIO TITLE "Act 2 - Scene 5" PERFORMER "Guridi" ISRC HKI199814209 INDEX 01 69:53:57 TRACK 10 AUDIO TITLE "Act 2 - Scene 6" PERFORMER "Guridi" ISRC HKI199814210 INDEX 01 72:41:17 REM GENRE Opera REM DATE 1998 REM DISCID 480DBB06 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Guridi" TITLE "Amaya, Aleántara, CD2" FILE "Guridi - Amaya, Aleántara, CD2.ape" WAVE TRACK 01 AUDIO TITLE "Act 3 - Scene 1" PERFORMER "Guridi" ISRC HKI199814301 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Act 3 - Scene 2" PERFORMER "Guridi" ISRC HKI199814302 INDEX 01 08:36:35 TRACK 03 AUDIO TITLE "Act 3 - Scene 3" PERFORMER "Guridi" ISRC HKI199814303 INDEX 01 21:13:42 TRACK 04 AUDIO TITLE "Epilog" PERFORMER "Guridi" ISRC HKI199814304 INDEX 00 25:28:20 INDEX 01 25:30:50 TRACK 05 AUDIO TITLE "Epilog - Scene 1" PERFORMER "Guridi" ISRC HKI199814303 INDEX 01 30:44:35 TRACK 06 AUDIO TITLE "Epilog - Scene 2" PERFORMER "Guridi" ISRC HKI199814305 INDEX 01 40:12:72 Though little known to outsiders, Basque composer Jesús Guridi (1886-1961) is as much beloved in Spain as in his homeland. He is a nationalist composer in the same deep sense as Vaughan Williams ( http://rutracker.org/forum/viewtopic.php?t=4921496 ) was in England, rooted in folk idioms, a generous melodist, approachable but never chauvinistic, above all imbued with a strong sense of the spiritual. His best known works are the zarzuela "El caserío" (The Homestead http://rutracker.org/forum/viewtopic.php?t=4786861 ). Some of his songs, piano and organ pieces also reside on the fringe of the international repertoire. Guridi was a conservative composer whose music often sounds closer to Dvorak or his French teachers than to Spanish contemporaries such as Falla ( http://rutracker.org/forum/viewtopic.php?t=4897497 ) or Sorozábal. "Amaya", his operatic magnum opus was written between 1910 and 1920 on themes from 6th-century Basque history. The libretto dramatises the struggle for supremacy between the old Pagan and new Christian leadership in a time when Vasconia was under threat from the Moorish hordes, and sorely in need of strong, unified leadership. This conflict is echoed in the rivalry between two suitors - Good Christian Tenor Teodosio and Bad Pagan Bass Asier - for the hand of Princess Amaya. Guridi's craftsmanship is never in doubt; his orchestration, notably well executed by the Bilbao Orchestra, is of copybook clarity; but his best music has an uplifting, poetic sensitivity which finds too few outlets in this doom-laden, dark age myth. The lunar Pagan Rites, the surging rhythmic vitality of the Espatadantza (sword-dance) at the Wedding Feast, and the sweet but not sugary Redemption music in the Epilogue are points of light in the general gloom. His vocal writing - in so far as a non-Basque speaker can judge these things - sounds fluid and natural, but memorable moments are rare. The delicate poise of the heroine's scena before her wedding in Act 2, and Teodosio's touching narration towards the end of the opera stand out as exceptions. It may be difficult for a non-Basque to fully appreciate "Amaya" in other ways, too. Like Smetana's masterly "Libuse", an opera which it resembles in several ways ( http://rutracker.org/forum/viewtopic.php?t=4915084 ), its mythic subject matter and tableauesque nationalism lend Amaya an extra-musical significance which foreigners cannot easily comprehend. Guridi laboured hard at the opera. During the course of its long genesis his musical personality matured considerably, but even as late as 1920 his reliance on Wagnerian methods and material make parts of "Amaya" sound imitative rather than individual. It adds to Guridi's difficulties that the libretto is clumsily structured, its focus ill-defined. Who is at the centre of "Amaya"? Not the heroine, a piece of dramatic furniture throughout. Her husband Teodosio, an Orestes who undergoes a Tannhäuser-like redemption, is more complex; the most striking dramatic event is the death-rock repentance of the pagan villain of the piece, Asier. Paradoxically, the introduction of an offstage narrative chorus in the Epilogue brings more telling musical results than the onstage characters ever manage. This lack of dramatic cogency and momentum mitigates against an undeniably absorbing and well-crafted score. The Marco Polo performance is accomplished, with Rosendo Flores especially good as the mendacious Asier. Rebecca Copley is a clean-voiced Amaya, César Hernández a gritty but acceptable Teodosio. The other roles are strongly taken, and the studio recording made during a run of performances at the Bilbao's Teatro Arriaga in June 1998 is exemplary. Guridi admirers will respond to Amaya's moments of dark beauty, as well as the sweetness and light of the Epilogue. Opera lovers should take the plunge with his great zarzuela "El caserío". Помоги нашему сайту на расходы за сервер и качай торренты НЕОГРАНИЧЕННО!Пожертвовать 100 ₽ ![]() Или 2204 1201 2214 8816, с комментарием "Помощь трекеру" Связь с администрацией |
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