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Сообщение 10 мар 2018, 13:52 

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Sandrine Piau - Susan Manoff - Evocation

Жанр: Classical vocal
Страна-производитель диска: Made in E.U.
Год издания диска: 2007
Издатель (лейбл): Naive
Номер по каталогу: V5063
Дата записи: 2006
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 66'03
Источник: релизер
сайт-источник/ник/другое: basa005, avax
Наличие сканов в содержимом раздачи: да
Код:
1. Chausson, Ernest : Hebe, for voice & piano, Op. 2/6
2. Le Charme, for voice & piano, Op. 2/2
3. Melodies (4), for voice & piano, ("Serenade"), Op. 13/2
4. Le Colibri, for voice & piano, Op. 2/7
5. La tempete, incidental music for solo voices & small orchestra, Op. 18
6-9. Strauss, Richard : Madchenblumen, songs (4) for voice & piano, Op. 22 (TrV 153)
10. Debussy, Claude : Nuit d'etoiles ("Nuit d'etoiles, sous tes voiles"), song for voice & piano, L. 4
11. Romance ("L'ame evaporeee est souffrante"), song for voice & piano, L. 79/1
12. Fleur des bles ("Le long des bles que la brise fait onduler"), song for voice & piano, L. 7
13. Zéphyr (Triolet à Philis)
14. Zemlinsky, Alexander von : Liebe und Fruhling, for voice & piano
15. Das Rosenband, for voice & piano
16. Fruhlingsglaube, for chorus & strings
17. Wandl' ich im Wald des Abends, for voice & piano
18. Entfuhrung, for voice & piano, Op. 27/1 (from "Songs (12)")
19. Songs (12), for voice & piano, Op. 27
20-26. Koechlin, Charles : Sept Chansons pour Gladys, for soprano & piano, Op. 151
27-30. Schoenberg, Arnold : Songs (4) for voice & piano, Op. 2
Код:
[b]Evocation[/b]
композиторы:
Ernest Chausson, Richard Strauss, Claude Debussy, Alexander Zemlinsky, Charles Koechlin, Arnold Schoenberg
Sandrine Piau (Soprano)
Susan Manoff (Piano)
Recorded in July 2006 at Studio Tibor Varga, Sion (Switzerland)
Recording system
Microphones: Neumann M149, DPA 4041 A/D
Converter: AD/2 Prism
Recorded in 24 bits/ 96Khz on Sonic HD
CD - 05 November 2007
Код:
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 16. March 2011, 16:35
Sandrine Piau / Evocation
Used drive : ATAPI DVD A DH16A1L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
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2 | 2:53.16 | 1:30.02 | 12991 | 19742
3 | 4:23.18 | 2:31.43 | 19743 | 31110
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7 | 16:57.21 | 1:27.38 | 76296 | 82858
8 | 18:24.59 | 3:43.62 | 82859 | 99645
9 | 22:08.46 | 3:56.74 | 99646 | 117419
10 | 26:05.45 | 3:04.39 | 117420 | 131258
11 | 29:10.09 | 1:54.16 | 131259 | 139824
12 | 31:04.25 | 1:57.25 | 139825 | 148624
13 | 33:01.50 | 1:25.64 | 148625 | 155063
14 | 34:27.39 | 1:41.21 | 155064 | 162659
15 | 36:08.60 | 1:39.02 | 162660 | 170086
16 | 37:47.62 | 1:38.45 | 170087 | 177481
17 | 39:26.32 | 2:17.46 | 177482 | 187802
18 | 41:44.03 | 2:17.73 | 187803 | 198150
19 | 44:02.01 | 1:24.34 | 198151 | 204484
20 | 45:26.35 | 1:15.29 | 204485 | 210138
21 | 46:41.64 | 0:42.74 | 210139 | 213362
22 | 47:24.63 | 1:12.09 | 213363 | 218771
23 | 48:36.72 | 1:31.46 | 218772 | 225642
24 | 50:08.43 | 1:39.51 | 225643 | 233118
25 | 51:48.19 | 2:02.48 | 233119 | 242316
26 | 53:50.67 | 1:24.57 | 242317 | 248673
27 | 55:15.49 | 3:45.70 | 248674 | 265618
28 | 59:01.44 | 3:45.63 | 265619 | 282556
29 | 62:47.32 | 1:13.08 | 282557 | 288039
30 | 64:00.40 | 3:17.07 | 288040 | 302821
Range status and errors
Selected range
Filename C:\avaxhome\Sandrine Piau - Evocation.wav
Peak level 99.7 %
Range quality 100.0 %
Copy CRC 768FF09C
Copy OK
No errors occurred
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Код:
REM GENRE Classical
REM DATE 2007
REM DISCID AA0FC51E
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Sandrine Piau"
TITLE "Evocation"
FILE "Sandrine Piau - Evocation.APE" WAVE
  TRACK 01 AUDIO
    TITLE "Ernest Chausson - Hébé opus 2 no 6"
    PERFORMER "Sandrine Piau"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Ernest Chausson - Le charme opus 2 nr 2"
    PERFORMER "Sandrine Piau"
    INDEX 01 02:53:16
  TRACK 03 AUDIO
    TITLE "Ernest Chausson - Sérénade opus 13"
    PERFORMER "Sandrine Piau"
    INDEX 01 04:23:18
  TRACK 04 AUDIO
    TITLE "Ernest Chausson - Le colibri opus 2 no 7"
    PERFORMER "Sandrine Piau"
    INDEX 00 06:54:56
    INDEX 01 06:54:61
  TRACK 05 AUDIO
    TITLE "Ernest Chausson - Le temps des lilas opus 19"
    PERFORMER "Sandrine Piau"
    INDEX 01 10:10:57
  TRACK 06 AUDIO
    TITLE "Richard Strauss - Mädchenblumen opus 22 /1 - Kornblumen"
    PERFORMER "Sandrine Piau"
    INDEX 01 14:41:55
  TRACK 07 AUDIO
    TITLE "Richard Strauss - Mädchenblumen opus 22 /2 - Mohnblumen"
    PERFORMER "Sandrine Piau"
    INDEX 01 16:57:21
  TRACK 08 AUDIO
    TITLE "Richard Strauss - Mädchenblumen opus 22 /3 - Epheu"
    PERFORMER "Sandrine Piau"
    INDEX 01 18:24:59
  TRACK 09 AUDIO
    TITLE "Richard Strauss - Mädchenblumen opus 22 /4 - Wasserrose"
    PERFORMER "Sandrine Piau"
    INDEX 01 22:08:46
  TRACK 10 AUDIO
    TITLE "Debussy Nuit d'etoiles"
    PERFORMER "Sandrine Piau"
    INDEX 01 26:05:45
  TRACK 11 AUDIO
    TITLE "Debussy - Romance “L’Âme évaporée”"
    PERFORMER "Sandrine Piau"
    INDEX 01 29:10:09
  TRACK 12 AUDIO
    TITLE "Debussy - Fleur des Blés"
    PERFORMER "Sandrine Piau"
    INDEX 01 31:04:25
  TRACK 13 AUDIO
    TITLE "Debussy - Zéphir"
    PERFORMER "Sandrine Piau"
    INDEX 01 33:01:50
  TRACK 14 AUDIO
    TITLE "Alexander Zemlinksky - Liebe und frühling"
    PERFORMER "Sandrine Piau"
    INDEX 01 34:27:39
  TRACK 15 AUDIO
    TITLE "Alexander Zemlinksky - Das Rosenband"
    PERFORMER "Sandrine Piau"
    INDEX 01 36:08:60
  TRACK 16 AUDIO
    TITLE "Alexander Zemlinksky - Frühlinglied"
    PERFORMER "Sandrine Piau"
    INDEX 01 37:47:62
  TRACK 17 AUDIO
    TITLE "Alexander Zemlinksky - Wandl'ich im Wald des Abends"
    PERFORMER "Sandrine Piau"
    INDEX 01 39:26:32
  TRACK 18 AUDIO
    TITLE "Alexander Zemlinksky - Entführung"
    PERFORMER "Sandrine Piau"
    INDEX 01 41:44:03
  TRACK 19 AUDIO
    TITLE "Alexander Zemlinksky - Sommer opus 27"
    PERFORMER "Sandrine Piau"
    INDEX 01 44:02:01
  TRACK 20 AUDIO
    TITLE "Charles Koechlin - Sept chansons pour Gladys opus 151 /1 - I. M’a dit Amour"
    PERFORMER "Sandrine Piau"
    INDEX 01 45:26:35
  TRACK 21 AUDIO
    TITLE "Charles Koechlin - Sept chansons pour Gladys opus 151 /2 - II. Tu croyais le tenir"
    PERFORMER "Sandrine Piau"
    INDEX 01 46:41:64
  TRACK 22 AUDIO
    TITLE "Charles Koechlin - Sept chansons pour Gladys opus 151 /3 - III. Prise au piège"
    PERFORMER "Sandrine Piau"
    INDEX 01 47:24:63
  TRACK 23 AUDIO
    TITLE "Charles Koechlin - Sept chansons pour Gladys opus 151 /4 - IV. La Naïade"
    PERFORMER "Sandrine Piau"
    INDEX 01 48:36:72
  TRACK 24 AUDIO
    TITLE "Charles Koechlin - Sept chansons pour Gladys opus 151 /5 - V. Le Cyclone"
    PERFORMER "Sandrine Piau"
    INDEX 01 50:08:43
  TRACK 25 AUDIO
    TITLE "Charles Koechlin - Sept chansons pour Gladys opus 151 /6 - VI. La Colombe"
    PERFORMER "Sandrine Piau"
    INDEX 01 51:48:19
  TRACK 26 AUDIO
    TITLE "Charles Koechlin - Sept chansons pour Gladys opus 151 /7 - VII. Fatum"
    PERFORMER "Sandrine Piau"
    INDEX 01 53:50:67
  TRACK 27 AUDIO
    TITLE "Arnold Schoenberg - Vier Lieder opus 2 /1 - I. Erwartung"
    PERFORMER "Sandrine Piau"
    INDEX 01 55:15:49
  TRACK 28 AUDIO
    TITLE "Arnold Schoenberg - Vier Lieder opus 2 /2 - II. Schenk mir deinen goldenen Kamm"
    PERFORMER "Sandrine Piau"
    INDEX 01 59:01:44
  TRACK 29 AUDIO
    TITLE "Arnold Schoenberg - Vier Lieder opus 2 /3 - III. Erhebung"
    PERFORMER "Sandrine Piau"
    INDEX 01 62:47:32
  TRACK 30 AUDIO
    TITLE "Arnold Schoenberg - Vier Lieder opus 2 /4 - IV. Waldsonne"
    PERFORMER "Sandrine Piau"
    INDEX 01 64:00:40
Код:
Geoff Brown
The pure, prancing soprano voice of Sandrine Piau might be most associated with Baroque finery such as Vivaldi and Handel. But no one should ever place a singer in a box. She has already made one album of Debussy songs on CD; now she shows her mettle in Evocations, a personal, adventuresome mix of French and German items variously extolling the feminine spirit and the lure of love and desire. The recital is intimate and unusual – refreshing in a record industry too often stuck on a treadmill.
Try her Strauss. Usually his chromatic, rollercoasting melodies bring out singers’ most voluptuous tones. Medium-voiced, with scant vibrato, Piau isn’t equipped for the plush parade: but her elegant agility in the Mädchenblumen cycle still brings home the goods. She’s wonderfully touching, delineating these flower-women’s characters with an elegant agility perfectly matched, here and throughout, by the penetrating piano accompaniments of Susan Manoff. Ivy, the timid flower quivering with deep emotion, seems to attract most of Piau’s sympathy. Not a self-portrait, surely?
In terms of repertoire, the five songs by Alexander Zemlinsky should be the disc’s brightest surprise. History casts Zemlinsky as a secondary figure in early 20th-century Vienna; but Piau’s pick proves he could pitch like a giant. There seem so few notes in his Heine setting of Frühlingslied, each one trembling with feeling.
Even so, it’s in her native French where Piau remains most obviously at home, where the words become her personal friends. Her third Chausson mélodie, Serenade, ends by conjuring “ un soir frissonant et clair”. On cue, Piau’s voice flies up to the sky, her tone as clear and thrilling as Chausson’s poet could desire. On the opening track, utterly beguiling, Chausson sets the disc’s mood with the atmospheric languor of Hebe, couched in the Phrygian mode and decorated with a rippling accompaniment. Look out, too, for Piau’s limpid beauty in Koechlin’s Sept Chansons pour Gladys, the bizarre offspring of the composer’s obsession with the German film star Lilian Harvey.
Whatever the language and composer, Piau and Manoff penetrate the music’s tender heart. This CD doesn’t shout the obvious; it may not top the charts. But in its small, jewelled, intoxicating way, it gives voluminous pleasure.
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